Bio (the long one)
Writing started as a hobby for me. I have scribbled away at poems and bits of stories for as long as I can remember, and when I didn't really know what I wanted to do after university, I had more time to put into it. I was longlisted for the inaugural London’s Young Poet Laureate and was the 2014 Cityread Young Writer in Residence, which led to 24 poems about Soho (one for each hour of the day) being commissioned for a publication called Curious Hands. After doing various other jobs, I qualified on the Spoken Word Education Programme (via the Creative Writing and Education MA at Goldsmiths), and spent a year as resident writer at Clapton Girls Academy. I ran creative writing workshops, performances, and a club there, mentored students, and taught classes, all with a focus on confidence and combating exclusion, shame, and violence. I’ve delivered creative writing workshops for PEN International in Honduras and Scotland, for the Roundhouse in Bulgaria, and all across the UK with different schools and organisations. My creative writing projects develop emotional literacy, and explore mental health, memory, and healing from violence. I’m also particularly interested in multi-lingual literature and translation, and how different languages live and are used in cities. When the first draft of my novel was shortlisted for the Mslexia Prize, I met my agent Laura West, and the finished book Let Me Be Like Water was published by Melville House in the US & UK. My short story 'The Treehouse' was commissioned and played on BBC Radio 4 Short Works and 'A Wide Neon Yell' won the Berlin Writing Prize. I was the writer-in-residence at Berlin's Circus Hotel, and my short was published in Klak Verlag's Circus anthology.
Outside of writing, I worked in a call centre for a year after uni. During this time, I co-founded the ‘Great Men’ project with Genevieve Dawson, an initiative working with men and boys in inner city London to expand notions of masculinity and challenge gendered expectations of how boys could/ should behave. We used a queer intersectional lens and participant-led approach, growing the project with our volunteers and participants. I worked for a while as a gender trainer and consultant for organisations including Plan International, Youth For Change, and others. I led various initiatives with survivors of sexual and domestic violence, and then joined the team at Clapton Girls. That same year, I was diagnosed with a chronic health condition and had to take a break while I adjusted to living with illness. After my timeout, I spent a year as the Global Campaign Manager at PEN International, a freedom of expression organisation, working with writers at risk around the world. I left PEN to do the final edits on my novel and spent my weekdays nannying for three lovely kids, their two dogs, their hamster, and their lizard. I also swam a marathon (10km) down the River Dart for the wonderful My Body Back Project in September. It was very cold, but worth it.
Currently I am an AHRC-funded PhD student at Manchester Met, writing my second novel with funding from the NWCDTP. My research uses intersectional awareness and a queer feminist framework to ask questions about how we write sex and sex after violence; what activism can take place within writing, especially in relation to the climate crisis; the relationship between cis-heteropatriarchy and whiteness in white womanhood; and representing pain and disabled experience in fiction. I live in Leeds and am part of the 2021 Northern Short Story Festival Academy.
My pronouns are she or they.
I am happy to receive emails from other UK-based writers applying for funding for practice-based research PhDs looking for information on the process. It can be a bit opaque, so get in touch via email if this is you, and we can chat.